Archives for posts with tag: Hanji Unfurled

Without a doubt Koreans are passionate about their kimchi and have successfully shown the rest of the world what they’re boasting about. After attending a hanji-Korean paper- symposium entitled ” A Thousand Years Old Hanji, Meets the World” , I have no doubt hanji too will soon be rolling off everyone’s tongue! Korean kimchihanji symposium, ksdf, Korean Craft and Design Foundation

Hanji is one of the finest papers in the world and certainly has many die-hard fans.  It is, however, still less known in the global market compared to other Asian papers, i.e. Japanese (washi), Thai, or even Indian cotton papers.

 

SO WHAT ARE SOME OF THE UNIQUE QUALITIES OF TRADITIONAL HANJI?

webal -style sheet formation, no top locking screen, side to side dip, each sheet is double-couched in 2 opposite vertical directions, log rolled over couched sheet to elimate air bubbles and possibly helping release pulp from bamboo screen, and dochim: burnishing or hammering process which flattens, increases the density of paper.

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Most of the attendees from foreign countries were book and paper conservators from places like the Tate Gallery in London, the Library of Congress in Washington, DC, and several other world-renowned institutions. In fact, the focus of the conference was the case for hanji to be used in repair and conservation.  Once the special features of traditionally-made hanji were established over a few days, the conservators could better speculate in what particular repair applications hanji would be the right fit.  The visit to observe actual papermaking, was one step towards understanding the material at hand and how it may behave with other materials.  It was a rare occasion for conservators and papermakers to be sharing each others’ daily jobs, but quite key for mutual of understanding between users and makers.

For me, this emphasized the need for paper vendors like Paper Connection,  as we are really “interpreters” of so many hundreds of paper needs and applications.  At Paper Connection we feel it is our role to chronically disseminate and convey information into a paper vocabulary which the maker or manufacturer can relate to.

Thanks to the prestigous members of the group, we had the privilege of being invited to a special viewing of the archives of Chonbuk National University, (one of the largest collection of antiquities in Korea); what incredible facilities.

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Two of my favorite book authors were part of my group:  Ms. Aimee Lee and Mr. Nick Basbanes.

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As you can imagine, the uses for hanji are endless, also true for almost any other well-made paper.

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Of course, Paper Connection is honored to carry hanji, both in an array of wonderful colors and neutral tones. Our hanji line is becoming quite popular, and now available here.  In 2015, we will be stocking a thicker (96 gsm) hanji for printmaking or for backing, and a new thinner paper for basket cording.  Check back here often!

We were very lucky guests of the mayor of Jeonju, 20141218_115712where we were treated to feasts and traditional pansori music performance.  Jeonju is considered the home of hanji and famous for the old-style architecture maintained in Hanok VillageIMG_9274of course, bibimbap, (rice bowl with meat), and the best pansori singer in the land.SAMSUNG CSC

Many thanks again to The Korea Culture & Design Foundation for inviting me to the symposium.  It was a great opportunity for me to learn more about hanji and its culture, its  applications in conservation, and Korea, of course.  A very special thanks to Ms. Bo Kyung Kim of Fides International and hanji artist Ms. Aimee Lee.

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Photographs provided by Paperwoman and KCDF.

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2012 over!?!  That was amazingly quick. I guess I do spend much of my time on the road and it is clear traveling or rather “not being home” speeds up time!

To switch things up in my dual-life pattern, I spent the fall of 2012 in the East Coast of the US for a change.  First DC, then Cleveland (noted in the previous blog.  Early November started with a bang, with one the best Paper Connection Annual Holiday Warehouse sales ever!  Then, more excitement by mid-November, as my staff and I organized a 4-day visit from a Paper Rock Star guest-Ms. Aimee Lee in Providence, RI.  We had an awesome turn out for Ms. Lee’s hanji talk, demo and new book signing: Hanji Unfurled.  After Ms. Lee’s successful visit to Rhode Island, I got to enjoy a “real” Thanksgiving with relatives, turkey and pies; it had been many years!  Surely a day to recognize all that we have and all that we have in abundance.  November, 2012 was certainly packed full with a cornucopia of accomplishments; I am very thankful, no matter what month it is.

Gloucester, RI Nov. 22.2012

Gloucester, RI Nov. 22.2012

Pies Nov. 22, 2012

Pies Nov. 22, 2012

By December, 2012, my suitcase was re-packed, and currently I am back on the other side of the globe. Since I’ll be on the road again shortly; heading to Seoul next week, I thought I would turn to TWO past abundant Novembers.  Reflecting back as time springs forward.

November, 2011: Journeyed north to Tokohu- the Northeast of Japan: For several reasons, this voyage to Tohoku was quite meaningful, especially post the March 11, 2011 disasters. The main goal was to check on my very good friend, who had moved back to the Tohoku area on March 1, 2011, I hadn’t seen her family since 1986.  My friend warned me that all the coastal places we visited in 1986 “ARE GONE”, she wrote days after the tsunami hit. Another reason for going to Tohoku was to get a sense of the general post 3.11 feeling of the Tohoku survivors, where so many mingei-folk arts are/were born. The bonus of this trip was visiting with Mr. Koichi Odanaka at his studio.  It was my privilege to meet Mr. Keisuke Serizawa’s last apprentice.  I thoroughly enjoyed the back stories Mr. Odanaka told of his life with Mr. and Mrs. Serizawa in Tokyo. So it was a gratifying trip- educational and moving at the same time.Odanakas Work

Odanaka’s work is truly irresistible.  Although, it’s not something I stock at this point, I would like to support as many artists as possible in the Tohoku region of Japan.  Let me know if you’re interested in any of his work; I’ll see what I can do!   Here are a few of his stenciled items I purchased: calendar and textiles.

November, 2010: Traveled, by plane, to Toyama-ken for the first time ever.

Fuji from the plane.

Fuji from the plane.

Old Town of Yatsuo

Old Town of Yatsuo

For centuries Toyama was known as the main pharmaceutical producing area of Japan.  Back before plastic bottles with cotton stuffing, all medicines were wrapped with washi. The area was previously known as “Etchu” so the paper from the area is called “Etchu Washi”.

washi bags& wrappers for medicines

washi bags & wrappers for medicines

Of course, the need for washi dropped off with the invention of new packaging, but a young Mr. Yoshida, moved back to his hometown of Yatsuo, giving up a city life and a city job to start a washi-making mill in the small, well-preserved town of Yatsuo, not too far from Toyama City. Mr. Yoshida knew he had to make paper for new uses, so he decided to make kozo paper for artwork.  Mr. Yoshida befriended the katazome master himself, Mr. Keisuke Serizawa, while he was working up at Ogawamachi in Saitama, making his own paper for his stencil work.  Mr. Yoshida convinced Mr. Serizawa to try some Yatsuo paper (Etchu Washi) for his stencil work.  From that point forward, Mr. Serizawa used the kozo paper made at Mr. Yoshida’s newly fashioned mill.  FormingBlackKozosheetsIt was a start of what would become a long business relationship and friendship.  Both the Yoshidas and the Serizawa’s had a deep connection with mingei and both had the passion to carry the tradition of washi and katazome into the future.  Currently, the next generation of the Yoshida family run a paper shop, mill and incredible folk art museum, which houses the collection of the Yoshida parents.  Thanks to the friendship between the Yoshida family and the Serizawa family, this Yatsuo operation called Keijyusha continues to produce decorated katazome papers, stationery items and collectible calendars employing Serizawa’s original stencils.Lookforthesign

kakishibu paper "rug"

kakishibu paper “rug” in Museum.

There are still a few 2013 Serizawa desk calendars for sale at Paper Connection and many beautiful items in stock and for sale from this precious operation in Yatsuo.  Please call us or email us for more information.SerizawaProducts

Serizawa Calendars and Serizawa stencil biz card holders. etc.

Serizawa Calendars and Serizawa stencil biz card holders. etc.